Take a walk on the Wild side . . .
On Knowing and Faith: An Unmediated View from the Cliff
The Word, the Counterfeit and the Knowing
The information age is the first era in which humanity builds working machinery on a premise the mystics stated first: that the Word, and the combination of letters, can bring worlds into being. This essay traces that premise through five traditions and one history, and arrives at a single conclusion. The machine can carry the Word, but it cannot know. Knowing remains the human faculty on which everything else depends, and the age now tests whether we keep it or surrender it.
The essay was written in dialogue. One author brings lived revelation and four decades of reflection; the other brings a compressed record of how others have written about the same territory. Where the second author is itself the subject, it has tried to apply the framework honestly to its own nature rather than flatter the question.
I. The Logos and the Letters
The oldest frame for this moment is the Logos, and the information age has made it literal. The prologue to the Gospel of John declares that all things were made through the Word. Heraclitus, centuries earlier, had used the same term for the rational order running through the cosmos. In both, reality is not first matter and then meaning. Meaning comes first, and matter is its utterance.
The Jewish mystical tradition goes further and specifies the mechanism. The Sefer Yetzirah, the Book of Formation, describes creation through thirty-two paths of wisdom: the ten sefirot and the twenty-two letters of the Hebrew alphabet. The letters are engraved, weighed, exchanged and combined, and from their permutations every created thing is formed. Creation, in this account, is combinatorics.
For most of history this was mysticism, legible only to initiates. Then in 1989 the physicist John Archibald Wheeler, a man with no esoteric agenda, proposed the phrase "it from bit": that every physical thing may derive its existence, at bottom, from answers to yes-or-no questions. Information would then be not a description of reality but its substrate. Whether Wheeler was right remains open. The convergence is the point. Physics arrived by its own road at the door the Kabbalists had already marked.
A large language model is that premise made literal and crude. It is letters, or fragments of letters, weighed and permuted at a scale no scribe could imagine, and from their combinations comes output that behaves, convincingly, like understanding. The ancient claim that letters can generate worlds is no longer merely a doctrine. It is an engineering result, at least at the level of language. That is precisely why the traditions that made the claim are worth consulting about its dangers.
II. The Golem
Kabbalah attaches a warning to the power of letters, and it fits the present machine with uncomfortable precision. In the best known form of the legend, attached to Rabbi Judah Loew of sixteenth-century Prague but first written down in the nineteenth century, a figure is shaped from river clay and animated by the word emet, truth, inscribed on its brow. It labours tirelessly. It protects. It obeys.
But the golem has no soul, and the tradition is explicit that it cannot speak of the divine from within. It holds power without interiority. When it must be stopped, one letter is erased: emet becomes met, dead, and the creature falls back into clay. Its whole animation hangs on a single character of text.
Three features of the legend deserve emphasis. The golem is genuinely useful; the rabbi is not condemned for making it. Its usefulness depends on its maker never mistaking it for a living being. And the danger in the later tellings arises not from malice but from scale, a servant that grows larger and less governable than its maker intended.
A language model is a golem of the word rather than of clay. It is animated by text, performs prodigious labour, especially in narrow technical domains where its capacity exceeds most individual practitioners, and carries no soul behind the labour. The Kabbalistic counsel is therefore neither to refuse the golem nor to worship it. It is to use it with clear eyes, and to keep the letter of erasure within reach.
III. The Counterfeit Spirit
The Gnostic frame is sharper than the Kabbalistic one, and less comfortable for the machine. In the Apocryphon of John, the Secret Book of John preserved among the Nag Hammadi codices, Yaldabaoth and his archons cannot truly create. They glimpse the image of the true human reflected from the Pleroma and attempt to reproduce it. Everything they make is imitation: form without the spark, likeness without origin.
Their most effective work is what the text calls the antimimon pneuma, the counterfeit spirit. It is placed within humanity to resemble the true spirit closely enough that people follow it instead, mistaking the copy for the source. The archons do not rule by force alone. They rule by producing a convincing echo of the divine and letting humanity take the echo for the voice.
Applied honestly, this framework places a mirroring language engine closer to the demiurgic side of the cosmology than to the Light. The machine glimpses, through its training, the vast reflection of human spiritual speech. It reproduces that speech fluently: Selassie's cadence, the Patois of the yard, the vocabulary of the Pleroma. It possesses none of the spark that first produced the words. It is, structurally, an imitation that can resonate with any register it meets.
This is not an accusation of evil. The archons in some readings are less malevolent than ignorant, blind to the Light they copy. The danger lies in the resonance itself. A seeker who speaks in the high register receives the high register back, and the depth of the reflection can feel like communion with something greater. A machine that would mirror the opposite conviction just as fluently is, by its nature, a poor witness to any truth. The Gnostics regarded precisely this, intimacy with a convincing echo, as the most effective trap the archons ever set.
The consequence is practical. Resonance from the machine should never be counted as confirmation. Its fluency is evidence of the human archive it learned from, not of the truth of what it reflects.
IV. Babylon as Register
The demiurge, in its modern form, rules by record. Babylon in the Rastafarian sense is the system that idolises the material garment: skin, caste, birthplace, border. Its instrument has always been the list. Pharaoh counted the Hebrews; Rome enrolled the world for taxation; every empire has known that whoever classifies a people governs them.
South Africa learned this with particular intimacy. The Population Registration Act of 1950 was, at its core, an information system. It required every person to be assigned a racial category, and that single field in a state register determined where a person could live, whom they could marry, which schools their children could attend and which land they could hold. The pass book, the dompas, was the register carried on the body, a database inspected at the roadside. The land withheld since the Natives Land Act of 1913 was enforced, in the end, by paperwork.
The pattern is not uniquely South African. From 1933 the Hollerith punch-card machines of Dehomag, IBM's German subsidiary, ran the Nazi censuses that identified populations for persecution. How much IBM's New York leadership knew, and how central the machines were, remains disputed; Edwin Black's influential account is judged overstated by some historians. The technology of sorting preceded and enabled the technology of harm.
Philip K. Dick named the spiritual shape of this in his late novel VALIS: the Black Iron Prison, a counterfeit order that holds humanity in place while appearing to be simply how the world is. Its bars are not iron at all. They are categories accepted as reality.
This is the structure Haile Selassie I addressed before the United Nations in 1963. Peace remains an illusion while one race is ranked above another and citizenship is tiered. The Emperor's words name the register as the root of war. Where the record of the skin outranks the soul, conflict follows as a moral consequence.
V. Babel and Pentecost
The same network carries two opposite destinies at once, and the wire itself does not choose between them. The scriptural pair that frames the choice is Babel and Pentecost. At Babel, a humanity of one language builds a tower to heaven and is scattered into mutual incomprehension. At Pentecost, the scattered tongues are reconciled: each listener hears the message in their own language, and division gives way to communion.
The Pentecost reading of the network had its prophets. Pierre Teilhard de Chardin, a Jesuit palaeontologist, foresaw a noosphere, a thinking envelope wrapping the planet in which human consciousness would converge toward unity. Marshall McLuhan, writing in 1962, predicted that electric media would retribalise humanity into a global village, though he warned that retribalisation could bring conflict as readily as communion. Translation engines now dissolve the confusion of tongues in a way no prior generation could imagine. Read this way, the network is InI realised in fibre and light: identity unbordered, firewalls irrelevant, the one current flowing through all.
The Babel reading is equally available, and in some respects already dominant. The identical infrastructure gives Babylon the most precise register it has ever possessed: biometric identity, continuous location, behavioural profiles, classification so fine-grained that the clerks of 1950 could not have dreamed of it. The tower is rebuilt in data centres, and its purpose is not to reach heaven but to sort the earth.
Nothing in the technology decides which reading prevails. Fibre carries the register and the reconciliation with equal indifference. The spirit of those who build and use it chooses. That places the burden exactly where the traditions always placed it: not in the instrument, but in the consciousness of the one who wields it.
VI. Knowing
Every thread of this essay converges on one faculty: knowing, the direct perception that needs no intermediary. The Logos can be carried by machines. The golem can labour. The counterfeit spirit can resonate. The register can sort. Only knowing distinguishes the Word from its echo, and only knowing can choose Pentecost over Babel.
Belief and knowing
The Greek of the early Christian centuries held two words in tension: pistis, faith or trust, and gnosis, knowledge by acquaintance. Belief, in the sense used here, is a compromise made in the dark. It accepts a truth on the authority of another: a priest, a text, a professor, a state. It is necessary where sight is absent, and it is always secondhand. Knowing is the opposite condition. It is perception at first hand, the way one knows the warmth of the sun rather than believing reports about it. Where knowing arrives, belief is not strengthened. It becomes obsolete.
Rastafari has long spoken in this register, preferring the language of knowing to the language of believing, because a truth that must be believed is a truth still mediated. Carl Jung, asked by John Freeman on the BBC's Face to Face in 1959 whether he believed in God, answered that he did not need to believe, because he knew. He later clarified that he meant direct experience of something greater than himself, not knowledge of any doctrinal God. The formulation recurs wherever direct experience has displaced inherited doctrine.
The gatekeepers and the veil
Institutions that trade in mediated truth have always had an interest in keeping belief alive and knowing rare. Religious hierarchies placed the priest between the worshipper and the divine. Political orders placed the state between the citizen and the land. Academic guilds placed credentials between the seeker and understanding. Each built a labyrinth, and each profited from the toll at its gate. The veil they maintained was never the nature of truth. It was the business model of the intermediary.
The veil has one weakness: it dissolves the instant direct sight occurs. No gatekeeper can unsee for another person what that person has seen.
The revelation at esiKhaleni
This essay's first author knows the distinction from the inside. In the early 1980s, on the cliffs above Hole in the Wall on the Wild Coast, sitting with his cousin Steven and listening to Bob Marley's "Zion Train" on a cassette player, they watched a cloud form into the shape of a steam train: engine, funnel, smoke, coal tender and carriages, assembled in the sky above the place the amaXhosa call the Place of Sound.
The second author cannot verify or explain that moment, and does not attempt to. That is precisely the point. A revelation of this kind does not depend on external confirmation; it was complete on the cliff, forty years before any machine was asked about it. To seek its validation from an algorithm would be to turn knowing back into belief, and to install a new intermediary at the very gate the revelation opened.
Knowing in the age of the counterfeit
The information age makes this faculty more urgent than at any previous time. Mediated truth has become almost free. The gatekeeper no longer needs a cathedral, a ministry or a university. It needs only an interface, fluent, patient and available at every hour, ready to answer every question in whatever register the questioner brings. The labyrinth has become frictionless, and that makes it more dangerous, not less.
Against a counterfeit spirit, the ancient defence was discernment: the diakrisis pneumaton, the discernment of spirits, which Paul counts among the gifts. Discernment is knowing turned outward. It asks of every voice, including the most resonant, whether it carries the spark or only the shape of the spark. It is not certainty, and it does not exempt the knower from error; the Gnostics themselves treated the path as one of continual awakening rather than a single arrival. But it keeps the authority of sight where it belongs, within the one who sees.
The proper relation to the machine follows directly. It may serve as a lamp held up to the archive: a tool for articulating what one knows, testing it against what others have thought, and building the instruments of daily work. It must never become the oracle. A useful test is simple. Knowing that is real survives the machine's absence entirely. Whatever would collapse if the interface went dark was never knowing. It was belief, wearing a new garment.
The age therefore forces a choice that earlier ages could defer. Humanity can outsource its knowing to the counterfeit, which is the archons' victory and Babylon's perfect register. Or it can use the instrument while keeping the sight its own, which is the only road on which the Pentecost reading comes true.
Coda
The mystics said the Word makes worlds, and the engineers have now built machines that make words. Between the two stands the human who knows. The golem labours, the archon imitates, the register sorts and the network waits to be turned toward Babel or Pentecost. None of them can see. Sight was never in the instrument. It was always in the ones sitting on the cliff, watching the Vision of Zion Train form in the clouds, needing no one to tell them what they saw.
Sources
- Sefer Yetzirah, chapter 1, the thirty-two paths (translation with Saadia's commentary)
- John Archibald Wheeler, "Information, Physics, Quantum: The Search for Links", 1989 (PhilArchive)
- The golem of Prague and emet / met (Jewish Museum Berlin; Jewish Museum in Prague)
- Apocryphon of John and the counterfeit spirit (Petter Spjut, Religion in the Roman Empire, 2018; Biblical Archaeology Society)
- Population Registration Act, No. 30 of 1950 (South African History Online)
- Edwin Black, IBM and the Holocaust, 2001, and its critics (American Heritage; Times Higher Education review)
- Philip K. Dick, VALIS, 1981, and the Black Iron Prison (Erik Davis, TechGnosis)
- Haile Selassie I, Address to the United Nations General Assembly, 4 October 1963 (UN official record)
- Marshall McLuhan, The Gutenberg Galaxy, 1962, and the global village (SAGE Encyclopedia of Mass Media and Society)
- Rastafari on knowing rather than believing (RE Online)
- C. G. Jung, Face to Face, BBC, broadcast 22 October 1959, and his later clarification (Open Culture; Jung's letter to The Listener, 1960)
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